Screamadelica

CD2-4是20th Anniversary Limited Collector’s Edition ☆UNCUT★★★★★ ☆NME ：【改变音乐面貌的经典之作’，一张代表90年代音乐的专辑】 ☆Q杂志：【E世代的比伯军曹寂寞芳心俱乐部 】 ☆全新包装、全部Remasterd、限量纸装版、加收绝版EP【Dixie Narco】 BBC评论说【Screamadelica这张专辑将意大利浩室音乐(Italo house)，cosmic wayfaring、dub音乐、乡村、福音、蓝调等元素、集摇滚乐的动能，以天马行空的创意，完成的破格之作】。亦反映主唱Bobby Gillespie与吉他手Andrew Innes广博的音乐收藏(从Sly and Family Stone的There’s a Riot Goin’ On、Neil Young的On the Beach到Dennis Wilson的Pacific Ocean Blue都是他们创作灵感来源)。Q杂志说它是E世代的比伯军曹寂寞芳心俱乐部 ，NME 则誉为是一张改变音乐面貌的经典之作。 Primal Scream于1991年发行的专辑【吶喊症候群Screamadelica】是90年代最重要的摇滚专辑，整张专辑充斥着刺激的舞曲节拍与浓烈摇滚音乐 (非常滚石合唱团调性)，将两者元素完美结合，成为当时最具革命性的摇滚队伍之一。2010在媒体不看好的气氛下展开Screamadelica发行20 周年的巡回演唱， 没想到Primal Scream所到之处皆造成轰动，不仅步入中年的E世代回来朝圣，超迷幻的现场体验也让新世代乐迷佩服不已。这次推出双CD限量纸装版，除原始专辑全部在团员与My Bloody Valentine首脑Kevin Shield监督下完成音乐修复，音质清晰无比，更能聆听出这张经典专辑的细节精彩处。另外还加收专辑未收录长达10分钟的专辑同名曲 Screamadelica的【Dixie Narco】EP这张早已绝版的精品。 20年过后，这张专辑听来还是无比刺激过瘾，如专辑中Loaded这首歌的开场兴奋对话，是的，we wanna get loaded. And we wanna have a good time ，请一起进入Primal Scream的魔幻摇滚国度，尽情吶喊吧 ! Screamadelica is the third studio album by the Scottish alternative rock group Primal Scream. It was their first to be a commercial success. It was released on 23 September 1991 in the UK by Creation Records, and 8 October 1991 in North America by Sire Records.Screamadelica peaked at #8 on the UK Albums Chart upon its initial release. The album was released to widespread critical acclaim, and is frequently acknowledged as one of the best albums of the 1990s. Screamadelica also won the first Mercury Music Prize in 1992. There's no underestimating the importance of Screamadelica, the record that brought acid house, techno, and rave culture crashing into the British mainstream -- an impact that rivaled that of Nirvana's Nevermind, the other 1991 release that changed rock. Prior to Screamadelica, Primal Scream were Stonesy classic rock revivalists with a penchant for Detroit rock. They retained those fascinations on Screamadelica -- one listen to the Jimmy Miller-produced, Stephen Stills-rip "Movin' on Up" proves that -- but they burst everything wide open here, turning rock inside out by marrying it to a gleeful rainbow of modern dance textures. This is such a brilliant, gutsy innovative record, so unlike anything the Scream did before, that it's little wonder that there's been much debate behind who is actually responsible for its grooves, especially since Andrew Weatherall is credited with production with eight of the tracks, and it's clearly in line with his work. Even if Primal Scream took credit for Weatherall's endeavors, that doesn't erase the fact that they shepherded this album, providing the ideas and impetus for this dubtastic, elastic, psychedelic exercise in deep house and neo-psychedelic. Like any dance music, this is tied to its era to a certain extent, but it transcends it due to its fierce imagination and how it doubles back on rock history, making the past present and vice versa. It was such a monumental step forward that Primal Scream stumbled before regaining their footing, but by that point, the innovations of Screamadelica had been absorbed by everyone from the underground to mainstream. There's little chance that this record will be as revolutionary to first-time listeners, but after its initial spin, the genius in its construction will become apparent -- and it's that attention to detail that makes Screamadelica an album that transcends its time and influence.