Music for an installation with Mimmo Paladino at the Roundhouse, London, this one long piece takes its title from Paladino sculptures of prone figures. Over his usual treated piano, Brian Eno drops in sudden sounds: spoken fragments ("ing," "of"), looped, disintegrated, sped up, or brought down into conspiratorial whispers. It strangely turns what is background music into something more participatory -- as if a close listen will reveal a hidden message. One of the more fascinating of Eno's hard-to-find installation discs.