Doomsday Machine

Far Too Loud, a.k.a. Oli Cash, has gained a significant reputation in dance music for quality, dancefloor-destroying music that makes people throw their hands in the air and go crazy. Expect a high-energy mix of aggressive funk, big basslines, crazy edits and detailed production and you’ll be ready for the what FTL has to offer. Since the first release, back in 2005, things have gone from strength to strength. Winning the ‘Best Single’ award at Breakspoll in 2007 was a huge boost early on and helped to show that Far Too Loud really has something to offer to dance music. Later that year, the track ‘Play It Loud’ saw a move from breakbeat to big, dirty electro-house grooves with an absolutely massive response and it still remains a firm crowd-pleaser. More recently, chart smashers like ‘Bring Back Boogie’ and ‘Wake Up LA’ and remixes for the likes of Lily Allen and The Crystal Method have affirmed Far Too Loud as a household name in the electro-house scene. Having toured the world over, Oli is well experienced in delivering both live PA and DJ sets packed with energy. Whether it’s 200 people in a sweaty underground club or 20,000 at an outdoor festival, you can be sure it’s going to go off! Far Too Loud release his debut EP via Never Say Die Records on 20th January 2014. Says Far Too Loud, “128 bpm is still my favourite tempo to write at and play out and that’s exactly what we have for this release. Doomsday Machine is a hard and heavy electro house track inspired by a classic film I watched a while back. Nasty growls and big bashy drums provide the perfect soundtrack to the end of the world. On a lighter note… Acid 9000 came about after a session of listening back through a bunch of classic big beat tracks. Exit Planet Dust was the first dance record I bought and I still love that era. I started with a break beat and a 303 and the rest just followed!”